I have now completed my first, rough draft of my script. It needs a few changes such as naming the antagonist and formatting it properly. I will be working on it next week as well as doing a teaser poster.
Thursday, 8 December 2011
Monday, 5 December 2011
Friday, 2 December 2011
Thriller Character creation (part B)
Which three thriller characters share similar characteristics/emotions/ ethics/ values/ with your character and what makes them different?
Although I have previously used the example, I will use Evellyn Salt from 'Salt'.
This is because I feel they share some of the same values, for example the importance of keeping quiet and not telling the truth straight away. This is shown in my film as my character says she knows nothing and throughout the film Salt as her intentions are ambiguous and she never really says.
I also think they share the some of the same emotions as they have the power to manipulate their own emotions for example Salt can pretend she is emotionally attatched to someone very easily and then just as easily shoot them-my character pretends to be severely terrified when she is captured although she is well aware the man terrifying her will be dead in afew seconds.
I feel their characteristics differ slightly as towards the end it is clear Salt is a spy however in mine her occupation remains ambiguous. Also we see much more of Salt's home life like her neighbours and boyfriend, where as my character seems relatively isolated.
She could also be compared to Cateleya from Colombiana.
This is because they share some of the same physical characteristics, as I plan for my actor to have dark hair and eyes and a small build. The character in Colombiana witnessed her parents death and has become a cold assassin becuase of it. In this sense she shares the emotional state of catelaya as they can both remain cold in situations others would become emotional over. However it is not actually Lily who shoots, it is the woman on the motorbike, so you could say that Cateaya is a more extreme version of my chosen character. There values are similar as emotion comes after the job always.
You could also compare her to Fox from Wanted (2008.)
My character could be compared to Fox because of her physical characteristics and obviously her assassin type job. However unlike the other two she is almost a sidekick to someone else, similarly in my film this option is shown. They both share the same ruthless personality and are not frightened of death or weapons.
My character could be compared to Fox because of her physical characteristics and obviously her assassin type job. However unlike the other two she is almost a sidekick to someone else, similarly in my film this option is shown. They both share the same ruthless personality and are not frightened of death or weapons.
Thursday, 1 December 2011
Feedback from my pitch
The class generally liked my idea for the main task and helped me out with some of the issues I had, such as;
Who is the mysterious person who shoots the antagonist?
and
What could my Tag line be?
One of the suggestions was that the person should be the female spy who my main character is mistaken for.
And a tag line which I liked suggested by someone else was 'Running in to danger'.
I will take both of these suggestions in to account and the pitching definitely helped as it demonstrated my idea suited my chosen target audience of 18+.
Wednesday, 30 November 2011
Main task-Updated character info
After plotting out my storyline, I have decided to make Lily's occupation ambiguous, however it will be implied she works with a spy or knows a female assassin very well. This is how she will get captured (for simply knowing too much) She will still be relatable and wear ordinary clothes.
In this case I would compare her to female assassins with in real media texts as opposed to ordinary female characters who find themself captured.
A good example is Evelyyn Salt from the 2010 film 'Salt'.
This is because her real identity and occupation is ambiguous throughout.. we are unsure whether she is a 'good guy' or not. I also would like my actor to have dark hair to imply elements of a dark personality, although it seems an innocent woman has been captured at the beginning..she can become ruthless, just as Salt does in the film.
In this case I would compare her to female assassins with in real media texts as opposed to ordinary female characters who find themself captured.
A good example is Evelyyn Salt from the 2010 film 'Salt'.
Saturday, 26 November 2011
blog task 7- Linking character to a theory
Here is an outline of some of the media theories.
TODOROV’S THEORY – Todorov proposed a basic structure for all narratives. He stated that films and programmes begin with an equilibrium, a calm period. Then agents of disruption cause disequilibrium, a period of unsettlement and disquiet. This is then followed by a renewed state of peace and harmony for the protagonists and a new equilibrium brings the chaos to an end. The simplest form of narrative (sometimes referred to as ‘Classic’ or ‘Hollywood’ narrative).
PROPP’S THEORY –Vladimir Propp’s theory was formed in the early twentieth Century. He studies Russian fairytales and discovered that in stories there were always 8 types of characters evident. These are: the hero, the villain, the donor, the dispatcher, the false hero, the helper, the princess and her father. He did not state these characters were all separate people e.g. the provider could also be the helper. There are only 8 different character types and only 31 things they ever do. Once you have identified the character type (e.g., the hero) it’s easy to guess what they will do (save the maiden, defeat the villain, marry the maiden or whatever) because each character has a SPHERE OF ACTION. This is easily relatable to films and programmes today.
BARTHES’ ENIGMA CODE – The narrative will establish enigmas or mysteries as it goes along. Essentially, the narrative functions to establish and then solve these mysteries.
LEVI-STRAUSS’ BINARY OPPOSITION – Narrative tension is based on opposition or conflict. This can be as simple as two characters fighting, but more often functions at an ideological level – e.g., in Westerns, what do the cowboys and Indians each represent? What ideologies are embodied by the opposed sides in LOTR or Star Wars?
http://www.esfmedia.com/page/Narrative+theory
My character Lily who's occupation is slightly ambiguous although it is implied that she is a friend of or works with another spy. So I think Barthe's enigma code theory links with my character Lily Turner as we are unsure of her occupation which adds to the suspense, however I plan to reveal it at the end. I think my character also links with Propp's as Lily is a mix of the 8 typical characters. For example she is viewed as the 'damsel in distress' type, however because she knows about the assassin business and is essentially stopping the 'bad guy' some would view her as the 'hero.'
TODOROV’S THEORY – Todorov proposed a basic structure for all narratives. He stated that films and programmes begin with an equilibrium, a calm period. Then agents of disruption cause disequilibrium, a period of unsettlement and disquiet. This is then followed by a renewed state of peace and harmony for the protagonists and a new equilibrium brings the chaos to an end. The simplest form of narrative (sometimes referred to as ‘Classic’ or ‘Hollywood’ narrative).
PROPP’S THEORY –Vladimir Propp’s theory was formed in the early twentieth Century. He studies Russian fairytales and discovered that in stories there were always 8 types of characters evident. These are: the hero, the villain, the donor, the dispatcher, the false hero, the helper, the princess and her father. He did not state these characters were all separate people e.g. the provider could also be the helper. There are only 8 different character types and only 31 things they ever do. Once you have identified the character type (e.g., the hero) it’s easy to guess what they will do (save the maiden, defeat the villain, marry the maiden or whatever) because each character has a SPHERE OF ACTION. This is easily relatable to films and programmes today.
BARTHES’ ENIGMA CODE – The narrative will establish enigmas or mysteries as it goes along. Essentially, the narrative functions to establish and then solve these mysteries.
LEVI-STRAUSS’ BINARY OPPOSITION – Narrative tension is based on opposition or conflict. This can be as simple as two characters fighting, but more often functions at an ideological level – e.g., in Westerns, what do the cowboys and Indians each represent? What ideologies are embodied by the opposed sides in LOTR or Star Wars?
http://www.esfmedia.com/page/Narrative+theory
My character Lily who's occupation is slightly ambiguous although it is implied that she is a friend of or works with another spy. So I think Barthe's enigma code theory links with my character Lily Turner as we are unsure of her occupation which adds to the suspense, however I plan to reveal it at the end. I think my character also links with Propp's as Lily is a mix of the 8 typical characters. For example she is viewed as the 'damsel in distress' type, however because she knows about the assassin business and is essentially stopping the 'bad guy' some would view her as the 'hero.'
Thursday, 24 November 2011
Main task- similar products task 11
Originally my character was going to be a female spy, however to make the film more relatable and realistic, I chose for her to be an ordinary character who finds herself in a situation that a spy might. This means she could be compared to a number of different female characters in thrillers.
A less contemporary example of comparison would be the character Miranda in Wyler's 1965 'The collector'. Similarly, she is kidnapped and held hostage, but for his own pleasure. The character also comes across as vulnerable, but mostly as they can be compared in terms of looks.
Linking theories
My film at the beginning relies on Barthes enigma code, as questions are posed about why she is captured. Some other questions that could arise are;
Who is the other women she is mistaken for?
Who are the men who have captured her?
All of these will excite the audience which is my main task as it is an action thriller, whilst keeping them intrigued about the following events.
My main character Lily could also fit in to Propp's seven character theory as there is a clear villain and hero here. Also Lily could be compared to the princess who is captured and saved, however not by a man but by a woman.
A less contemporary example of comparison would be the character Miranda in Wyler's 1965 'The collector'. Similarly, she is kidnapped and held hostage, but for his own pleasure. The character also comes across as vulnerable, but mostly as they can be compared in terms of looks. Perhaps a more contemporary and better known film where a female is captured and is looking for ways to escape is Fincher's 2002 film 'The panic room'. My characters situation and reaction will be extremely similar to this, as she tries to think rationally and sensibly to protect her child from the men. The men in the film will also be similar to the antagonists I will be using, for example there dark clothes and unknown identities, along with threatening weaponary and persistance..
Linking theories
My film at the beginning relies on Barthes enigma code, as questions are posed about why she is captured. Some other questions that could arise are;
Who is the other women she is mistaken for?
Who are the men who have captured her?
All of these will excite the audience which is my main task as it is an action thriller, whilst keeping them intrigued about the following events.
My main character Lily could also fit in to Propp's seven character theory as there is a clear villain and hero here. Also Lily could be compared to the princess who is captured and saved, however not by a man but by a woman.
main task- updated plot
After talking to my teacher and doing the pitch, I have decided to change my story line slightly.
Here are some of the changes..
- She will go on a run at 9.00am
- There will be only one man who stabs her with a syringe instead of suffocating her with a cloth.
- The person who he is demanding to know about is the person that will save her not a mysterious man.
- The man doesn't pull out a knife, the woman comes on a motorbike and shoots him from afar.
- The two women ride away on a motorbike together, so it is clear they know eachother and it was the plan all along to kill him..
Here are some of the changes..
- She will go on a run at 9.00am
- There will be only one man who stabs her with a syringe instead of suffocating her with a cloth.
- The person who he is demanding to know about is the person that will save her not a mysterious man.
- The man doesn't pull out a knife, the woman comes on a motorbike and shoots him from afar.
- The two women ride away on a motorbike together, so it is clear they know eachother and it was the plan all along to kill him..
Wednesday, 23 November 2011
Pitch for main task
How I decide on genre/plot/character type..
After mapping out ideas of what I wanted to include in the film, I transferred them on to this mind map electronically. My narrative plot has three stages, a beginning, a disruption and then a return to the equilibrium. It begins with a woman going unusually early for a run at five in the morning. As she is running a car pulls up alongside her with two men in, they ask for directions and as she leans in the window to tell them, one of the men, after looking in the boot while she is distracted, comes up behind her with a cloth with cloroform on a cloth. She passes out and is put in the back of the car where she is taken to an isolated run down old wooden house in the middle of no where. She is tied to a chair and has tape over her mouth, the man who asked for directions begins to interogate her. He demands questions about who she is and shows pictures of the woman she looks like and has the same name as who they are supposedly trying to find. As the suspense builds and she struggles, the man pulls out a knife and goes towards her with it. A gun shot is heard in the distance and the man falls down bleeding from his stomach. A mysterious man is seen running away in the distance. The woman kicks the knife nearer to her reach and cuts the rope. She escapes.
Working title: Captured
Tag line: Carry on running
Keep running?
A bit about my character...
After mapping out ideas of what I wanted to include in the film, I transferred them on to this mind map electronically. My narrative plot has three stages, a beginning, a disruption and then a return to the equilibrium. It begins with a woman going unusually early for a run at five in the morning. As she is running a car pulls up alongside her with two men in, they ask for directions and as she leans in the window to tell them, one of the men, after looking in the boot while she is distracted, comes up behind her with a cloth with cloroform on a cloth. She passes out and is put in the back of the car where she is taken to an isolated run down old wooden house in the middle of no where. She is tied to a chair and has tape over her mouth, the man who asked for directions begins to interogate her. He demands questions about who she is and shows pictures of the woman she looks like and has the same name as who they are supposedly trying to find. As the suspense builds and she struggles, the man pulls out a knife and goes towards her with it. A gun shot is heard in the distance and the man falls down bleeding from his stomach. A mysterious man is seen running away in the distance. The woman kicks the knife nearer to her reach and cuts the rope. She escapes.
Working title: Captured
Tag line: Carry on running
Keep running?
A bit about my character...
Monday, 14 November 2011
The preliminary- Evaluation
How effective is the combination of your main product and your film poster?
I believe my main product is successful in portraying a lot about a character in such a short space of time, I also believe that the poster, despite it's simplicity, reflects much of my created character too. As a combination, they compliment eachother, the poster doesn't give too much of the narrative plot away and the actual film consists of a suprising twist which isn't ruined by a telling poster. My preliminary was purposefully simple, as the main task of it was too evoke emotion from an audience and the purpose was to make the audience sad.
What have you learned from your audience feedback?
From my audience feed back I learnt that while the majority understood the ending (which was that he was getting on a train to London on the day of the bombings on the tubes and buses) some didn't understand the concept. I felt I made it as obvious as possible, by using props such as a phone with the date on it and a tube map, however in future if I were to connote an ending without using verbal communication during the film, I would try and make it even more obvious so it was completely clear. However in some aspects this may have ruined it by giving too much away. I also learnt that whilst my script was generally good and detailed that some people got lost, as I was trying to convey too much in a short space of time. I have learnt that 'less is more' and that my script should have been more concise in representing my character.
What have you learned during the course of this project and what targets for improvement do you need to set for the main task?
During this task I believe I have learnt more than in previous tasks. Perhaps my biggest achievement was learning to use the new Mac computers, this is a great advantage as I find them faster, more convinient and easy to convert files. I learnt how to do things independantly. I did this by filming it myself on my own camera, which was also useful in helping me learn to use my camera better. I also did the sound myself, recording it on one of the school cameras and converting it. I didn't use lighting but learnt through the process that I much prefered naturual lighting which made me want to use it for my thiller, although it isn't neccessarily conventional. I learnt how to write a script in monologue form so that it's meaningful and conveys a character well. I have learnt to shoot a range of shots in a more artistic way than I had before, taking the lighting and point of focus in to consideration a lot more than I previously had. I even tried to develop some of the shots so that they had meaning behind them such as using low and high angles to convey different feelings.
For the main task I have abstract ideas, shot ideas and shoot locations, however I am still thinking about my basic plot. I think I will try again to do something simple and effective like in my preliminary, however I want to focus on a female character as I haven't so far and perhaps have a definite, happy ending as mine have predominantly been ambiguous so far.
For the main task I have abstract ideas, shot ideas and shoot locations, however I am still thinking about my basic plot. I think I will try again to do something simple and effective like in my preliminary, however I want to focus on a female character as I haven't so far and perhaps have a definite, happy ending as mine have predominantly been ambiguous so far.
Tuesday, 25 October 2011
Wednesday, 19 October 2011
Preliminary task- Music
I have chosen 'Spanish Sahara' by Foals. I picked this song, not only because it's one of my favourites but it's subtle build in beat adds to the pace of my video. It fits nicely because as the monologue builds in emotion so does the story line. For example as he talks about emotional things such as Jack (his son) and Anna (his ex) the train arrives and he gets on it, which is a crucial point in the narrative. This all coincides with the gradually building music and the constant beat which becomes quicker.
preliminary- Poster
How and why I made my poster like this..
I created my poster using Publisher 2010. I have deliberately simplified it's appearance in order to keep it's purpose and story line secret. Before creating the poster I researched a number of film posters which had a similar appearence or narrative plot, for example the 2010 film 'Remember me' which shares a similar story line to my own film.
This poster also has elements of amibguity to it. The white background and bold style of writing is not dissimilar to the poster I have created and I feel it is both effective and intriguing to an audience.
I created my poster using Publisher 2010. I have deliberately simplified it's appearance in order to keep it's purpose and story line secret. Before creating the poster I researched a number of film posters which had a similar appearence or narrative plot, for example the 2010 film 'Remember me' which shares a similar story line to my own film.
This poster also has elements of amibguity to it. The white background and bold style of writing is not dissimilar to the poster I have created and I feel it is both effective and intriguing to an audience.
The actual image from the poster was a screen shot I have taken. Originally I thought it was a good shot, however I also think it represents my character quite well. He is a confident character, so his stance in this shot is important. He is also an independent business man, which I think is clear in this particular shot as he stands in the centre dressed in a suit, waiting, quite obviously for a train. It also seems he is lost in thought as he looks in to the distance, this may work in favour if it were being advertised as the intriguing factor may make people want to see the film.
The technical aspects of the poster such as the bold, black writing were purely used because of their effectiveness. I think they work well against the white/light blue sky. I also like the fact that the title is between the overhead cables which gives clues as to where he is standing.
The name of the actor was written in this particular font and in grey and black as when researching posters I found one that I liked a lot and took ideas from it, which was (below) 'Charlie St Cloud' starring Zac Efron...
To make the poster look authentic I added a star rating from a well known film magazine and credits taken from a diffrent film poster. However in the main task I would write my own credits for extra detail and precision.
Monday, 3 October 2011
Pre production- pictures
Here are some of the pictures I took on the day when I filmed of where River is seen. For example the bench he is sat on parts of the train station and the stairs he walks up. Luckily, as I was portraying a summers day in the actual month of October, it was nearly thirty degrees as is obvious from the blue sky in the pictures. 
Pre Production- Shooting Schedule
Shooting Schedule
Production- Individuality
Producer/Director- Charlotte Bowen
Cast- Jonjo Murphy
Date of Filming- 02/10/11
Filming slot- 9-11 am
Number of scenes- 6
Location- Scene 1,2,3,4- Peterborough train station INT/EXT
Scene-5,6- INT of train to Huntingdon
Technical Requirements-
HD camera x1
Tri pod x1
SD card
Microphone
Pre Production- Production schedule
Production Schedule
Production Name: Individuality
Film Location: Peterborough train station
Crew cast call time: 9.00 AM
Setup start time: 9.00AM
Setup finish time: 9.05AM
Shooting start time: 9.10AM
Shooting finish time: 11.00AM
Time moved to a new location: N/A
Pre Production- The preliminary- script
INDIVIDUALITY
BY
CHARLOTTE BOWEN
1. INT. TRAIN STATION- DAY
It is approximately 8 am. RIVER is standing in the middle of the station with his briefcase at his feet, looking at the train arrival times.
RIVER (V.O.)con’t
Einstein said‘In the middle of difficulty lies opportunity’ [BEAT]
In my life I have definitely faced difficulties, drugs, drinking…
RIVER is staring at the arrivals board. RIVER picks up his briefcase and walks up the stairs to platform 5.
RIVER (V.O.)con’t
You name it. I quit while I still had that opportunity. Finished school. Went to college. I’m a lawyer now. [BEAT]
Sometimes it feels like, like my life is flashing by.
RIVER takes out his mobile and texts then puts it away.
I just run with it. I get to travel with my job; I mean just this morning my boss called me up, “Hey River” He said “I got a little assignment for ya” And I jumped at the chance.
RIVER takes out a tube map for the LONDON underground and runs his finger along the chosen route.
So here I am in little England, for a case in London.
RIVER unfolds the newspaper from under his arm. He smiles subtly.
RIVER (V.O.)con’t
Jack, the little guy, misses me when I’m away. He’s only six but he gets I’ve got an important job.
RIVER looks down thoughtfully.
RIVER (V.O.)con’t
Wish Anna did. She didn’t mean to get involved in the messed up junkie that was me at eighteen and she still doesn’t want the guy that is me today. What can ya do?
RIVER stands up, brushes his suit down and fixes his tie.
RIVER (V.O.)con’t
Well, you enjoy, embrace, and appreciate what you already have.
So I’ve decided I’ll enjoy England, while I’m here,drink tea, catch a red bus, meet strangers, win my case, visit an art gallery, drive on the left…[BEAT]
RIVER folds the newspaper back up and places it on the bench to tie his shoe laces. He leaves it there. The date is revealed on RIVER’S phone as he has left it. RIVER is staring out of the train window.
RIVER (V.O.)
And I know that when I get back home to Jack, I’ll appreciate everything that little bit more.
Sunday, 25 September 2011
Research- Thriller character creation.
Name: River Adams
Age: 25
Sex: Male
Ethnicity: White American
Relationship status: Single
Occupation: Lawyer
I created my character through a number of different ways. Firstly we chose certain characteristics which we pictured our character as being then we acted them out in a series of pretend events in class. We then brang in an object which we though would be significant to the character. Mine was an old teddy which hadn't much sentimental value as it did practical, as it used to be something that drugs was kept in. This stimulated my idea of him being an ex drug addict.
River is a typically attractive man, he is tall and mostly wears suit due to the nature of his job, this is contrasted with his slightly rugged stubble and use of casual sunglasses.
My character originated and was based on different thriller characters that I personally liked. For example Teddy Hughes from Shutters Island. As their mannerisms and confidence is similar, although their appearence is disimilar, both characters are attractive. River is a man who has clearly had a difficult upbringing after suffering from alcohol and drug addiction. He has overcome this now but still has a severe weakness to them.
He overcame the addiction because of the realisation of his Father's alcohol related death and decided to focus on studying instead. He majored in Law and began a highly paid job, four months after graduating. His one priority who he loves desperately is his son Jack. He had Jack with Anna at the age of eighteen and this was another reason for him wanting to make something of himself. He is still in love with Anna but accepts her not wanting to be with him, no matter how much he convinces her he has changed. She fears that alcohol will creep its way back in to their relationship and is too protective of Jack to get back in to a relationship where he was always absent and couldn't provide financially or emotionally for them.
River's past experiences have only convinced him to be there for Jack, so when he goes away on business trips he misses him dearly. I feel River is an interesting and intriguing character who is likeable in many ways, whether it's being able to relate to a past problem with him or his love of his child. He is clearly intellectual and plans now to make the most of it, adventurous as he is travelling to London alone, supportive and understanding as he still helps Anna in every way although she can't be with him. My main task was to make my character likeable to the audience, in order to evoke emotion when the twist is revealed at the end of the narrative..
Age: 25
Sex: Male
Ethnicity: White American
Relationship status: Single
Occupation: Lawyer
I created my character through a number of different ways. Firstly we chose certain characteristics which we pictured our character as being then we acted them out in a series of pretend events in class. We then brang in an object which we though would be significant to the character. Mine was an old teddy which hadn't much sentimental value as it did practical, as it used to be something that drugs was kept in. This stimulated my idea of him being an ex drug addict.
River is a typically attractive man, he is tall and mostly wears suit due to the nature of his job, this is contrasted with his slightly rugged stubble and use of casual sunglasses.
My character originated and was based on different thriller characters that I personally liked. For example Teddy Hughes from Shutters Island. As their mannerisms and confidence is similar, although their appearence is disimilar, both characters are attractive. River is a man who has clearly had a difficult upbringing after suffering from alcohol and drug addiction. He has overcome this now but still has a severe weakness to them.
He overcame the addiction because of the realisation of his Father's alcohol related death and decided to focus on studying instead. He majored in Law and began a highly paid job, four months after graduating. His one priority who he loves desperately is his son Jack. He had Jack with Anna at the age of eighteen and this was another reason for him wanting to make something of himself. He is still in love with Anna but accepts her not wanting to be with him, no matter how much he convinces her he has changed. She fears that alcohol will creep its way back in to their relationship and is too protective of Jack to get back in to a relationship where he was always absent and couldn't provide financially or emotionally for them.
River's past experiences have only convinced him to be there for Jack, so when he goes away on business trips he misses him dearly. I feel River is an interesting and intriguing character who is likeable in many ways, whether it's being able to relate to a past problem with him or his love of his child. He is clearly intellectual and plans now to make the most of it, adventurous as he is travelling to London alone, supportive and understanding as he still helps Anna in every way although she can't be with him. My main task was to make my character likeable to the audience, in order to evoke emotion when the twist is revealed at the end of the narrative..
Monday, 12 September 2011
Similar Products- Misery characters
Paul Sheldon: Summary - Paul is an author of best selling, victorian era, romance novels. With his latest project finished, he decides to drive to Los angeles through a snowstorm and expectedly, landing the car and himself upside down in to a snowbank. He is 'rescued' by Annie Wilkies; an obsessive, fanatic of his books. Little did he know he would be controlled, hurt and tortured by her, in her efforts to keep him to herself in a crazed undertaking.
Personality- As previously stated Paul comes across as a down to earth character with a creative outlook and friendly ways. We witness this when he is so greatful for Annie's heroic motion, as we would expect. However inclings of her possessive personality are shown but Paul responds calmly to these. For example when she asks to read his new novel which he usually wouldn't let anyone till the publisher had, ' just for you' he says. Although this may not seem like a huge deal, we are aware of how much his writing means to him, as when he crashes he clings to his prize posession- his book. However Paul, when in danger, does not act like the 'ordinary' person might, remaining calm and tactical, his intelligence eventually helps him to escape. For example, he does not simply try and smash windows, panic or wheel away. Paul tries to sedate Annie one evening over dinner, after sharing an almost romantic meal together. However his plan fails after the concoction is spilt, again he remains calm but frustrated as his efforts become more desperate. This shows he isn't a confrontational character, as he doesn't shout at her. He plans his escape out, whilst writing the novel the way she wants in order to manipulate her emotions through the use of narrative in the book. This demonstrates his cunning character and creative side, even in times of terror where his survival depends on staying rational.
Paul's ethics and morals: Paul cares deeply for his family, this is obvious when he wants to immediately call his daughter after being rescued. He insists on this for a while until he realises the phone line is disconnected. This also shows his concern for other people because he knows his daughter will be worried about him and he is desperate to let her know he is safe. Writing is his passion, this is shown in the car when he holds on to his book, however nearing the end of the film it seems he almost loathes it as he is being forced to write all day every day by Annie, to fulfill her dreams of what the book should be like. He does not harm Annie showing his graceful and gentle side. He only resorts to violence when absoloutely forced to.
Annie Wilkins
Annie is a women of about 35, who similar to Paul looks realtively normal, wearing ordinary clothes. However she claims to be Paul's number one fan and her obsession develops throughout the film. We first see her when she saves Paul from the accident, where we can't make any judgement as she is just a heroic figure in the snow storm. It is blatant that Annie lives alone and is a lost soul, she welcomes Paul in to her home and does everything she can to make him feel better. Annie's one passion in life is reading the misery books, so she develops an obsession with the creator of her. This obsession which starts out as almost endearing turns it to a petrifying fixation.
Looks: Annie looks like an innocent character at first glance, she wears denim shirts, dresses and skirts, just like any other woman. Unlike conventional thrillers she is not disguised or has a disfigurement, making the narrative all the more intersting. Her house also compliments her tidy looks, it is spotless, for example, when Paul turns an ornament the other way, she notices straight away and gets angry. This could show her tidy nature or her compulsive personality.
What do we learn about her? She used to be a nurse so from this we can gather she has a nurturing side, which is shown when she tends to Paul's needs. She is a lonely character who fills her time with reading, naming her pet pig after one of the characters from his novels, demonstrating her lack of companions and other hobbies. She has a dark past, this is shown when Paul finds cut outs of newspaper featuring articles about her killing children in hospitals. This is where we see her threatening side and the film turns extremely dark. We find that she is capable of murder after shooting a police officer and is driven by and devoted to the misery books.
Friday, 2 September 2011
Similar Products - Protagonist Vs Antagonist
Defintiion of Protagonist- Information from Wikipedia:
A protagonist (one who plays the first part, chief actor") is the main character (the central or primary personal figure) of a literary, theatrical, cinematic, or musical narrative, around whom the events of the narrative's plot revolve and with whom the audience is intended to most identify.The terms protagonist, main character and hero are variously defined and, depending on the source, may denote different concepts. In fiction, the story of the protagonist may be told from the perspective of a different character (who may also, but not necessarily, be the narrator).
Defintion of Antagonist- Information from Wikipedia:
An antagonist (opponent, competitor, rival") is a character, group of characters, or an institution, that represents the opposition against which the protagonist must contend. In other words, 'A person, or a group of people who oppose the main character, or the main characters.' In the classic style of story where in the action consists of a hero fighting a villain, the two can be regarded as protagonist and antagonist, respectively.The antagonist may also represent a major threat or obstacle to the main character by their very existence, without necessarily deliberately targeting him or her. Examples in both film and theatre include Voldemort, the main antagonist in the Harry Potter series, who constantly battles the series' protagonist, Harry Potter, and Tybalt, an antagonist of Romeo and Juliet, who slays Mercutio and whose later death results in the exilation of the play's protagonist, Romeo.
Thriller films use a protagonist and an antagonist in order for the film to have a motive and progress. Sometimes the protagonist and antagonist are not immediately obvious, making the story all the more interesting, this is common in thrillers. For example the antagonist could be something supernaturual, not obvious or visible. The protagonist isn't always obvious either for example in 'Salt' Angelina Jolie's character is hard to place as we are not sure who's side she is on till the very end, as it turns out she was attempting to save countries from danger and not harm them.
Antagonists, similar to protagonists, often have troubled past. They feel everyone owes them something for the suffering they endured, either as a child or currently. This results in psychological problems, this often makes them seem more frightening or powerful, for example, 'The Joker'. His background is never really described properly, however there are some conclusions which can be drawn judging on his appearence and personality. For example the scar across his mouth shows he was victimized.
However, like some other antagonists in thrillers, he shares a strange relationship with the antagonist- Batman. It's not uncommon for the two opposing characters to share certain characteristics in thrillers, for example, Batman and The Joker share a theatrical film as they hide their identity. The Joker wears make up, messily thrown on, whilst Batman opts for a superhero look of all black mask and cape. Secondly, they both work outside the law to achieve their goals, the only difference being that Batman aims to restore order and law whilst The Joker aims to free it.
The scene where The Joker reveals the truth about his alcoholic father.
The protagonists in films are often men, who are acustomed to danger in their jobs, like policemen, or spies. However they can simply be ordinairy men who have found themselves in the middle of danger by accident, however many thrillers have used females, for example; The silence of the lambs and Salt.
The antagonists in thrillers are also typically men, well built and sometimes have a psychical deformity. For example, The Joker has a very visible scar across his mouth, which he explains in the video above. The rest of his costume and make up is also very significant in telling the audience about his character. He wears dark purple clothing, dark costumes are generally used in film to signify 'the baddie.' This dark clothing and messy make up create a character who looks visually frightening, this is coupled with a contrasting 'smart look', this is referring to his suit and tie. Another interesting yet creepy aspect of his look is the fact that his make up mimics a clown. Funnily enough, many people find clowns terrifying, despite their supposedly humorous nature. I think this tells the audience, a lot about his character; like his jokes, with a humorous edge, making him all the more creepy.
Strangely, Batman doesn't look like the average protagonist, wearing all black including a mask, makes him seem cold and unfamiliar. However this is only to make him seem more powerful, without making the two characters look similar. The difference is Batman presents himself in a different way, he appears more handsome and clean cut.
Friday, 12 August 2011
Similar Products - Character analysis 1
As my chosen clip is short, here is the official trailer to 'Shutter Island' to give an insight.
And here is the clip which I think best highlights Leonardo Di caprio's character.
Plot of the film
In 1954, Federal Marshal Teddy Daniels and his new partner, Chuck Aule, from Seattle travel to Shutter Island to investigate the disappearance of a patient there, Rachel Solando. She had been sectioned at the institution for dangerous criminals at Ashcliffe Hospital, because she drowned her three kids. Teddy is a veteran WWII soldier, traumatized by the war experience in the liberation of the Dachau concentration camp and the loss of his beloved wife in a criminal fire. Teddy is unable to access the records of employees and patients and feels that his investigation is obstructed by the management by the Federal facility. Teddy has severe migraines and when there is a storm, Teddy and Chuck find that they are stranded in the island. Teddy interviews the internees and follows a lead to the lighthouse, where he discloses the mystery about the Shutter Island.
Information from imbd.com
Teddy Daniels
Teddy Daniels
Teddy Daniels is a US marshall, we learn a lot about his character throughout the film, however instead of his character being consistant, our opinions often change. There are many debates, especially as the film was a book first, about Teddy's character and questions of insanity have been posed. Is he truly insane or is islands influence is ambiguous?
My chosen clip definitely highlights Teddy's character as this is one of the rare moments he is 'himself'- Andrew Ladus. This is the character who he grew up as, married as, had three children as. However he has been living his life in the mental asaylum as Teddy Daniels to escape the horrifying reality of his dead wife who murdered his beloved chilren.
Here Andrew is acting as 'Teddy' and his psychologist is acting as his boss as he does throughout the film. Andrew is aware he is being watched so acts as Teddy so he can "die as a good man." Meaning he will be killed as Andrew, a good man, or live as Teddy Daniels- a crazed violent man, who has created such a vivid imaginary story and is convinced everyone on the island is plotting against him.
What are his ethics/morals?
I think this clip highlights his character well because his morals are obvious, he is completely sefless after his realisation and chooses to be killed without a fight. I also think it shows he is observant and quick thinking after seeing the men watching (who commit the execution) and acting as his other character with whom they are familiar with. When Noyce, his psychologist nods, the signal is obvious and Andrew confronts his fate. There are few scenes where we see Andrew which is what makes this scene so interesting, almost as if we are familiar with him bringing us back to normality. I also find it interesting as his morals and ethics have completely changed. All the way through the film Andrew's only concern is completing his assignment and finding Rachel Solondo, or getting to the bottom of what he suspects is a corrupt asaylum. Throughout the film he is a confident, controlled and suspicious character, which contrasts with the man we see in the last scene- a vulnerable man who is leaving his fate in the hands of someone he once disbelieved and thought untrustworthy. Andrew predominantly believes in being a good, loving person as we see in some of the flashbacks with his wife, this clip emphasizes his tender character as he chooses to ends his and everyone elses pain. There are many debates to whether his character was insane or not, however in my opinion I think this scene and ending was obvious and shows his true character.
My chosen clip definitely highlights Teddy's character as this is one of the rare moments he is 'himself'- Andrew Ladus. This is the character who he grew up as, married as, had three children as. However he has been living his life in the mental asaylum as Teddy Daniels to escape the horrifying reality of his dead wife who murdered his beloved chilren.
Here Andrew is acting as 'Teddy' and his psychologist is acting as his boss as he does throughout the film. Andrew is aware he is being watched so acts as Teddy so he can "die as a good man." Meaning he will be killed as Andrew, a good man, or live as Teddy Daniels- a crazed violent man, who has created such a vivid imaginary story and is convinced everyone on the island is plotting against him.
What are his ethics/morals?
I think this clip highlights his character well because his morals are obvious, he is completely sefless after his realisation and chooses to be killed without a fight. I also think it shows he is observant and quick thinking after seeing the men watching (who commit the execution) and acting as his other character with whom they are familiar with. When Noyce, his psychologist nods, the signal is obvious and Andrew confronts his fate. There are few scenes where we see Andrew which is what makes this scene so interesting, almost as if we are familiar with him bringing us back to normality. I also find it interesting as his morals and ethics have completely changed. All the way through the film Andrew's only concern is completing his assignment and finding Rachel Solondo, or getting to the bottom of what he suspects is a corrupt asaylum. Throughout the film he is a confident, controlled and suspicious character, which contrasts with the man we see in the last scene- a vulnerable man who is leaving his fate in the hands of someone he once disbelieved and thought untrustworthy. Andrew predominantly believes in being a good, loving person as we see in some of the flashbacks with his wife, this clip emphasizes his tender character as he chooses to ends his and everyone elses pain. There are many debates to whether his character was insane or not, however in my opinion I think this scene and ending was obvious and shows his true character.
Wednesday, 10 August 2011
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